Showing posts with label Joan Jara. Show all posts
Showing posts with label Joan Jara. Show all posts

Wednesday, February 13, 2013

Forty years later, Justice for Victor Jara: School of the Americas Grad Indicted in Murder of the Popular Allende-Era Singer/Activist

Supporters march during a funeral service of Victor Jara, December 5, 2009, thirty-six years after his incarceration and death.
This article was first published in Truthout here.

The move to extradite Florida resident Pedro Barrientos Nunez in connection with the murder of famed Chilean singer Victor Jara - a supporter of deposed President Salvador Allende - is re-igniting Chile's campaign for justice for victims of the Pinochet regime's reign of torture and violence.

The US-backed military coup in Chile on September 11, 1973, was a prelude to systematic state terrorism unleashed after the bombing of the presidential palace, La Moneda, and Salvador Allende's alleged suicide.

Allende's Popular Unity was a socialist movement that unified the workers' struggle within a realm of culture. The Nueva Cancion Chilena (New Chilean Song), born out of a necessity in the mid-1960s to articulate social struggle, became a popular feature during Allende's presidential campaign, with musicians wholeheartedly bequeathing their support.

Victor Jara, a Nueva Cancion singer synonymous with the movement, became one of the first victims of the dictatorship when he was brutally tortured and murdered after being apprehended at the Technical University and brought to Estadio Chile- the country's national sports stadium. Secrecy and impunity shrouded Victor's death, until testimony from a former conscript at Estadio Chile revealed the name of Victor Jara's alleged killer.

The name of Pedro Pablo Barrientos Nuñez became the source of a relentless campaign by Chilean social movements to pursue justice for Jara. A documentary aired in May 2012 by Chilevision, entitled Quien Mató a Víctor Jara? (Who Killed Víctor Jara?) drew upon the testimony of several survivors, conscripts, former lieutenants and activists to reconstruct the events leading to the singer's death. In the course of the documentary, ex-conscript Jose Alfonso Paredes Marquez alleged that Barrientos had pulled the trigger, shooting Víctor in the head. "He shot him at almost point blank range because the man would not answer him," stated Paredes.

The campaign "Justicia Para Víctor Jara" (Justice for Víctor Jara) gained momentum last year, with Joan Jara and lawyer Nelson Caucoto Pereira urging the Minister of Defense and the Armed Forces of Chile to reveal classified information that would lead to identifying the lieutenants responsible for Victor's murder.

On December 28, 2012, Chilean newspaper El Mostrador announced indictments had been issued against Barrientos, Hugo Sanchez Marmonti, , Raúl Jofré González, Edwin Dimter Bianchi, Nelson Haase Mazzei and Luis Bethke Wulf in connection with Jara's murder.
Another two former officials were later indicted: Jorge Smith Gumucio and Roberto Souper Onfray. Following the announcement, an international arrest warrant was issued for Barrientos, who had been living in Florida since the 1990s, and Paredes, the ex-conscript, was arraigned on charges related to his alleged role in Jara's death. Judge Miguel Vásquez denied bail to the seven former lieutenants, four of whom already are serving sentences for other unrelated crimes.

Almost 40 years after Jara's murder, Judge Vásquez said he had no doubt about Barrientos' role, despite Barrientos' claim that he was never inside Estadio Chile and "never having heard of the singer Jara in that era." Barrientos had previously stated he was in the vicinity of the presidential palace, La Moneda, during the military coup. Questioned by journalist Macarena Pizarro from Chilevision, he declared his intent to never return to Chile to face prosecution. "I do not have to face justice because I killed no one. I've been to Chile several times, but now, loud and clear, I won't go."

The extradition request detailed the events leading up to Jara's murder. On September 12, 1973, the Technical University was surrounded by soldiers, who apprehended students and staff barricaded in the building, transferring them to Estadio Chile under the command of the Tejas Verdes contingent.
Jara's popularity rendered him a threat to the military dictatorship. His support for Salvador Allende's Popular Unity, and his later role as ambassador for the government's politics and socialist culture, cultivated a symbol of resistance and unity with the campesinos. Upon his arrival at the Estadio Chile, a lieutenant nicknamed "el Principe" recognized Jara and singled him out for brutal torture. The identity of "el Principe" remains disputed, although in his testimony Paredes indicated the nickname referred to Nelson Haase. Judge Vásquez stated that Jara was shot 44 times on September 16 - four days after soldiers brought him to Estadio Chile.

Following his murder, Jara would have become one of Chile's well-known "los desaparecidos" (the disappeared), his body thrown outside the Metropolitan Cemetery for burial in a mass grave, had he not been recognized by a social activist, who alerted others to his fate. Following a secret burial, Joan Jara and her daughters fled to exile in the UK, risking their lives by smuggling Jara's recordings out of Chile at a time when any material related to the Nueva Canción was tantamount to conspiracy against the dictatorship.

The denial of involvement in Jara's murder was echoed by other former lieutenants, exhibiting an impunity bordering upon the ludicrous. From the non-committal replies, outright denial, to out-of-context afterthoughts, like Nelson Haase's, "I was never in Estadio Chile. I don't know it. I don't even like football," the former lieutenants relished their apparent impenetrable status. However, Paredes stated he accompanied Barrientos during the period when Estadio Chile was transformed into the nation's first torture and detention center, and also had access to the interrogation rooms.

All officials indicted for the murder of Jara formed part of the Tejas Verdes contingent, and operated directly under the command of Manuel Contreras Sepulveda, later head of DINA [Direccion de Intelligencia Nacional]. The Tejas Verdes contingent specialized in torture practices, later dispersing to hold official positions in other detention and torture centers throughout Chile, like Londres 38, Villa Grimaldi, Tres y Cuatros Alamos and the notorious extermination center Cuartel Simón Bolívar, headed by Manuel Contreras himself and collaborating with other officials like Miguel Krassnoff Martchenko, specializing in the detention of communist and MIR [Movimiento Izquierda Revolucionario] militants.

The role of the US in facilitating the coup against Salvador Allende is well known and asserted by various statements from Henry Kissinger, who declared the issue of communism in Chile "too important for the Chilean voters to be left to decide for themselves." An equally pivotal role that the US played in supporting the right-wing dictatorship was its training of soldiers and lieutenants through the School of Americas (SOA). Four of the indicted officials are SOA graduates, including Barrientos.

Established in 1946, the SOA trained more than 64,000 Latin American soldiers, bequeathing them a wealth of counterinsurgency techniques, torture instruction and intelligence tactics. The deceitful mission statement of the SOA deemed democracy an integral part of military training; however, Latin American history has been replete with accounts of torture corresponding to tactics learned at the SOA. In reality, the SOA appears to have constituted a military program aimed at eliminating the socialist revival which was intensified after the success of the Cuban Revolution. SOA Watch has established that one out of every seven DINA officials in Chile were enrolled in the school and responsible for the targeting of Communist and MIR militants.

Speaking out against impunity, lawyer Nelson Caucoto urged soldiers who were present in Estadio Chile to break their pact of silence about the atrocities committed, emphasizing a duty towards remembrance as opposed to strengthening Pinochet's hope for oblivion. After the screening of the documentary, Joan Jara asserted her belief "officials lied with impunity," and the expressed the necessity of investigating within the higher echelons of the military in order to extract any semblance of justice.

The extradition request has strengthened tenacity toward preserving memory and justice in Chile. Social networking sites have been influential in disseminating updates about the case. While Barrientos' Facebook profile appears to be inaccessible, his photo, together with the extradition request, has been a prominent feature of Chilean activists' clamor for the right to memory.
If the extradition and subsequent trials are successful, Chilean memory will have succeeded in implementing justice within a country still shackled by remnants of the dictatorship. Last year brought about a resurgence of tactics designed to eliminate references to human rights violations by deconstructing narrative and language. Reclaiming Jara's memory as inherent to the public space will serve as a catalyst for justice against decades of oppression that still flourish in today's society, as impunity provides a channel of legal and political control through torturers and DINA agents employed within the public sphere.

Copyright, Truthout. May not be reprinted without permission.

Saturday, September 22, 2012

Chilean Documentary Reveals the Name of Victor Jara's Alleged Killer

This article was first published in Irish Left Review here.
cn2Earlier this year human rights lawyer Nelson Caucoto Pereira and Joan Jara, wife of nueva canción singer Victor Jara, appealed to the Chilean Armed Forces and the Ministry of Defence to collaborate in the effort to reconstruct the events leading to Victor Jara’s murder, as well as divulging the names of lieutenants responsible for the atrocity. While no affirmative statement was issued following the appeal, a documentary featured on Chilevision in May revealed the name of the lieutenant who allegedly pulled the trigger on Victor Jara.


The documentary entitled ‘Quien Mato a Victor Jara?’ (Who Killed Victor Jara?) created a strong narrative of the events unfolding in Estadio Chile and the circumstances leading up to Victor’s murder and subsequent discovery of his body. Jose Alfonso Paredes Marquez, a former conscript from the Tejas Verdes contingent who had previously been indicted for his participation in the murder, named Pedro Pablo Barrientos Nuñez as Victor’s alleged killer.

Barrientos was the unidentified lieutenant who, according to Paredes, shot Victor in the head after the singer refused to answer his questions. “He shot him at almost point blank range because the man would not answer him.” [1]

Barrientos has been living in Florida since the 1990s, around the time when Paredes was arraigned in court for his participation in Victor’s murder. Barrientos was interrogated by the FBI some weeks before the airing of the documentary, following a request from Chile regarding the murder of Victor Jara. Tracked by journalist Macarena Pizarro from Chilevision, Barrientos denied his involvement in Victor’s murder. When asked whether he would return to face Chilean justice, Barrientos retorted, “It depends. I do not have to face justice because I killed no one. I’ve been to Chile several times but now, loud and clear, I won’t go.”[2]

The Tejas Verdes contingent, under the command of Manuel Contreras Sepulveda, had been ordered to Santiago as part of the support for the military coup in the vicinities of La Moneda. Upon the transfer to Estadio Chile, the lieutenants indulged in the interrogation, torture and murder of those detained in the stadium. The first prisoners to be transferred to the stadium were those barricaded inside the Technical University, including Victor Jara.

Testimony by Osiel Nuñez from the Students’ Federation sheds light upon the treachery and intimidation by the Tejas Verdes contingent at Estadio Chile. Upon the persona of ‘el Principe’ (The Prince), Nuñez states that he had a very powerful voice and did not need a microphone to make himself heard in the stadium. The lieutenant declared “Soy un Principe” – I am a Prince, to the detainees, later addressing each section of detainees, asking them if they were hearing him, with each section having to answer in the affirmative.
The identity of El Principe remains disputed – both Miguel Krassnoff Martchenko from DINA and Edwin Dimter from Tejas Verdes were suspected of having been ‘the Prince’. However during court procedures, Paredes mentioned Lieutenant Nelson Edgardo Haase Mazzei as the alleged ‘Prince’; a statement which has been denied by Haase.

It was the Prince who, upon recognising Victor Jara, separated him from the rest of the detainees together with Litré Quiroga; Chief of the Service of Prison under Salvador Allende’s government. Victor was taken into a room where Lieutenant Nelson Haase was sitting behind the interrogation desk. Another lieutenant – allegedly Pedro Barrientos, played Russian roulette with Victor, eventually shooting him in the skull. Victor fell to the ground, his body convulsing. The order was given to conscripts to open fire on Victor’s body,[3] as well as upon the other fourteen detainees who were with Victor. One of the victims was Quiroga, who was reportedly tortured for three days prior to his assassination.[4] The documentary featured the exact location where Victor’s body was discovered by social activist Monica Salinas – in a field outside the walls of Cemeterio Metropolitano.

The documentary highlights the impunity enjoyed by the ex officials. Implying a range of absurd rhetoric, Pedro Barrientos, Jorge Smith and Luis Ernesto Bethke denied being present at the Estadio Chile in the aftermath of the military coup, although Paredes’ testimony contradicts the lieutenants. When interviewed by Chilevision, Barrientos denied the Tejas Verdes regiment or himself having been present in Estadio Chile. Asked about Paredes, who accompanied Barrientos in his role, more denials ensued. Echoing Jorge Smith, Barrientos insisted he did not remember Paredes and was nowhere near Estadio Chile, claiming instead to be in the vicinities of La Moneda. This contradicts the fact that Paredes stated he had access to the interrogation rooms through accompanying Barrientos. Bethke’s non-committal reply to the same question was “Why wouldn’t I admit I was there?” The epitome of impunity was characterised by Nelson Haase in 2009 during a telephone interview with newspaper La Nacion. Asked whether he was present in Estadio Chile during Victor’s torture and murder, Haase replied that he was not in Estadio Chile. “I was never in Estadio Chile. I don’t know it. I don’t even like football.”[5]

The officials from Tejas Verdes responsible for the atrocities which occurred in Estadio Chile in the aftermath of the coup are Manuel Contreras Sepulveda, who later became Head of DINA (Dirección de Intelligencia Nacional), Jorge Smith, Luis Ernesto Bethke, Nelson Haase, Edwin Dimter, Rodrigo Rodriguez Fuschloger and Pedro Pablo Barrientos Nuñez. The officials specialised in torture and indulged in the violations upon their return to Tejas Verdes, taking over a resort hotel and transforming it into an interrogation and torture center.[6] Hernan Valdes, a survivor of Tejas Verdes stated “… all I knew about evil until then was only caricature, only literature. Now evil has lost all moral reference.”[7]

Reacting to the information revealed in the documentary, Joan Jara expressed shock at the cynicism and arrogance of officers involved in her husband’s murder. “Everyone was lying with impunity. I believe that there was a large official circle in the stadium that was, in one way or another, involved in this cruelty.” Gloria Konig, executive director of the Victor Jara Foundation, declared that justice must allow investigations into the new declarations by conscript Paredes. “I believe yesterday it became clear that the conscripts have fear.” Lawyer Nelson Caucoto Pereira stated he expects Chile to respond to the warrant requested by the Courts in order to indict Barrientos for his alleged role in killing Victor Jara, echoing earlier statements in which he insisted the aim is to hold those officials wielding power responsible for Victor’s death.[8]

Sunday, January 22, 2012

 
Victor - An Unfinished Song
by Joan Jara
Bloomsbury, 1998

Review by Ramona Wadi

"I need the wood and strings of my guitar to give vent to sadness or happiness, some verse which opens up the heart like a wound, some line which helps us all to turn from inside ourselves to look out and see the world with new eyes." Victor Jara

In the preface, Joan Jara expresses relief at the opportunity to relate such an integral part of Chilean history. Indeed, this memoir soothes, enraptures and enrages the reader, with the knowledge that each page brings one closer to an atrocious epilogue - a reminder of the horrors unleashed by the military coup of Augusto Pinochet.

Joan Jara's narration is provocative and poignant. From the first pages one senses the fervour of socialism, coupled with the experience of a British woman in Chile. Arriving in Chile as a ballet dancer who later took up teaching, the initial experience as a foreigner quickly dissolves as her life with Victor becomes the immediate reality. Their lives together soon become overshadowed by a short lived socialist triumph with the election of Salvador Allende which descended into tyranny with the emergence of right wing violence and the US supported military coup which degenerated into a bloodbath.

The Nueva Cancion Chilena was part of the left's struggle against imperialism, integrating itself with the people and becoming a voice for the laments of the poblacion. Like other nueva cancion singers and groups, such as Inti Illimani and Quilapayun, Victor Jara supported Allende's presidential campaign wholeheartedly. Allende's Unidad Popular gave Chileans the hope for freedom and the song Venceremos quickly became the official hymn of the Unidad Popular.

The opposition to Allende's government was fuelled by US foreign policy, which seems to have deemed it ethical to eliminate any traces of communism in Latin America. Allende's final broadcast, in which he pledged his life to the people, was the initiation of a bloody trail that haunted Allende's supporters. In snippets of telephone conversation with Joan Jara, Victor managed to illustrate a cautious overview of events from his workplace at the Technical University. A few days later, she was informed of her husband's death by a companero. 

Victor's murder at the Estadio Chile was pieced together later by witnesses. Victor was singled out especially for torture and mockery by a soldier nicknamed 'The Prince' who, by all accounts is reputed to have been extremely sadistic in his treatment of the prisoners. Recognised as a nueva cancion singer, Victor's defiance and pledge to remain close to the people never wavered. In a poem written hours before his death, Victor Jara bequeathed the world with a testimony that paid homage to the thousands of people murdered by the military.


In the aftermath of Victor's murder, Pinochet embarked on a destructive mission against the nueva cancion. Victor Jara's song records were destroyed and the purge extended to instruments normally associated with the nueva cancion. His musical legacy still exists due to the efforts of Chileans hiding record copies and eventually smuggling them out of Chile.

Victor - An Unfinished Song is a testimony which mingles horror, exile, nostalgia and the repercussions of right wing politics. An essential read for anyone with an interest in the nueva cancion, the book is rendered intimate by the lyrics to Manifiesto and Vientos del Pueblo, as well as Victor's last poem from the Estadio Chile. It is a sphere of Chilean history yet, the universal philosophy of the nueva cancion makes this book an integral part of any person's history, whether beyond immediate recollection or a reflection of contemporary oppression.